Items

• Polyphony on vocal drone accompanied by cowbells,2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone accompanied by cowbells,1

  Recorded in situ. A woman sings the main melody. Two others each make a jerky drone.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone accompanied by bells,1

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,9

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Polyphony on vocal drone

  Recorded in situ. One man intones the main melody, another performs a staccato drone on the sound "è"Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and ambiances sound.
• Pan flute solo "dding dek",2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,8

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Popular song on vocal drone

  Recorded in situ. Typical Jörai polyphony: with a man performing the main melody and a staccato vocal droneSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Recitation of a story

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Ritual invocation on the village's protective plant

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Ritual invocations on a sacred object

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Invocations of the clans by Oi Trai, a Jarai man

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,7

  For the moment, no information.... Do a search...Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,6

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Declamation

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Ritual Invocations,2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Print on sawing teeth...

  Recorded in situ. At the end, the sound of a radio? Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Retelling of the tale "Sip"

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• LEGEND OF...CONTE AMA TRE: error in the documentation

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Retelling of the tale "Ama Tre"

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Funeral gong set

  Recorded in situ. It is surely the game of "cing arap", a funerary game played at burials, from the house to the grave, and at all the periodic rites of the tomb. One of the five gong games known to the Jörai.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Song “H Ngeng”

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's Song,5

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,4

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,3

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Tubular aerophone solo “dding-pong”

  Recorded in situ. Information on the "dding-pông" in Jacques Dournes, "Music among the Jörai": > When you hear it, you think you hear a metallic sound produced by percussion. In fact, it is a simple bamboo internode and requires three people to play it. It functions like a tubular airplane, not like a xylophone, it is not struck.Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes .
• Love song for courting

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Zither solo on thirteen-string calabash "gông"

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and sound ambiances.CITHAR: The _ gong _ is a zither with thirteen strings.
• Song called "young people",6

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes. The singing is accompanied by laughter.
• Song called "young people",5

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Song called "young people",4

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Song called "young people",3

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Song called "young people",2

  Recorded in situ. Duo of young girls in unisonSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Song called "young people",1

  Recorded in situ. Duo of women in unisonSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• “dding pi” blowtorch solo

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and sound ambiances.AABS-CLARINETTE: J. Dournes defined the _dding pi_ as being a blowtorch.
• Pan flute solo "dding dek", 1

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• MODERN POLITICAL SONGS,2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• MODERN POLITICAL SONGS,1

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Solo of "ddong-köni", 3

  Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singingSound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
• Solo of "ddong-köni",2

  Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singing Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
• Solo of "ddong-köni",1

  Recorded in situ. "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating string "kuat". Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Imitation of overtone singing Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the single-string fiddle _ köni _ and the two-stringed zither _ ddong _).
• Solo of "ddong-köni": tune of funeral cries

  Recorded in situ. It is an air of funeral tears in the style of the legends melodized at Plöi Ku "Ddong-köni" is an ensemble, composed of a two-stringed zither on a calabash ("ddong") and a "köni" fiddle with a vibrating “kuat” string. Vibrations are produced by two sources: a bow that moves back and forth on the string; a string attached to the string and the opposite end of which is in the mouth of the player. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and sound ambiances. Special features: the piece is played by a single musician who combines the two instruments (the fiddle monochord _ köni _ and the two-stringed zither _ ddong _).
• Man's Song,2

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Man's song,1

  Recorded in situ. Jacques Dournes announces "a child's song", perhaps we should understand a song on the theme of childhood? Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, chants and soundscapes. CHILD SINGING? (SCAN)
• Nighttime soundscape: noisy “gecko” grasshoppers

  Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Soundscape at night: the noisy “lang jap” grasshoppers

  Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Soundscape at night: the noisy grasshoppers “ya Greek”

  Recorded in situ. Two types of nocturnal grasshoppers: "Greek ya'", "lang jap" and "gecko" Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 among the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• “röding” jaw harp solo

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and sound ambiances.IP-GUIMBARDE: _röding _ copper model.
• Clarinet solo “dding-guih”

  Recorded in situ. Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jarai populations: instrumental solos, invocations, songs and soundscapes.
• Ritual invocations,1

  Sound recordings collected by Jacques Dournes, French missionary and researcher, in Viet Nam in 1966 from the Jorai populations: stories, tales and ritual invocations.