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Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel) -
Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. The women are online, julut; the men form another line after them and the circles are made and undone and each dancer slowly turns around. (Cf. Bilingual booklet. The music of the Kenyah and Modang in East Kalimantan, Indonesia. p.6, translation by N. Revel) -
Pièces pour Luth, sampeq (suite) Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a dance, kanjet. -
Pièces pour Luth, sampeq Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Sampeq music (two lutes) accompanying a warrior dance. The screams of the warriors interfere with the melody during the performance. -
Solo de xylophone, jatung-utang Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music that can accompany dances, kanjet. -
Mythe d'origine de l'oiseau calao; mythe d'origine des Modang Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Why the hornbill is the king of birds - The history of the Modang in Apo Kajan - Translation into Bahasa Indonesia -
Enquête linguistique Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Linguistic investigation into the Modang language, Nicole Revel in French and Bahasa with Ajoanes Then. List of Swaddesh -
Choeur de femmes Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Ritual song respectfully and courteously expressing festive feelings. -
Jeu de gongs, egong Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Music of gongs accompanying dances. -
Jeu de gongs, egong Vocal and instrumental music collected in Kalimantan Timur in 1977 by N. Revel, J. Maceda and I Made Bandem. Dance music, round. -
Chant solo et choeur d'hommes Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Description des masques et air de luth Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Jeu de bâtons et rires de la foule et gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Chant solo et choeur d'hommes Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Air de luth Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Ensemble de gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Air de luth Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Air de luth Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Airs de guimbarde et dialogue Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Airs de guimbarde et dialogue Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Air de flûte et dialogue en indonésien Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Ensemble de gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Ensemble de gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Ensemble de gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Ensemble de gongs Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Mort d'un homme : pleureuses Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
L'origine du riz Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Vocabulaire Indonésien-Dayak Kenyah Field recordings of music collected by José Macéda in Borneo/Kalimantan (Indonesia) during research expedition between 1974 and 1977 (Kenyah population) -
Tam tong soh joar, 07 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 06 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 05 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 04 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 03 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 02 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Tam tong soh joar, 01 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Dêh cho',32 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Dêh cho',31 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Dêh cho',30 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations. -
Dêh cho',29 Field recording of music and oral traditions collected by the Reverend Father Marius Boutary in the central region of Viet Nam between 1958 and 1962, among the Cil and Laac populations.